Murder in My Backyard

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  Contents

  Ann Cleeves

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Chapter Twenty-Five

  Ann Cleeves

  Murder in My Backyard

  Ann Cleeves is the author behind ITV’s VERA and BBC One’s SHETLAND. She has written over twenty-five novels, and is the creator of detectives Vera Stanhope and Jimmy Perez – characters loved both on screen and in print. Her books have now sold over one million copies worldwide.

  Ann worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She is a member of ‘Murder Squad’, working with other British northern writers to promote crime fiction. In 2006 Ann was awarded the Duncan Lawrie Dagger (CWA Gold Dagger) for Best Crime Novel, for Raven Black, the first book in her Shetland series. In 2012 she was inducted into the CWA Crime Thriller Awards Hall of Fame. Ann lives in North Tyneside.

  Chapter One

  Stephen Ramsay moved into the cottage in Heppleburn on March 1. When the estate agent first sent him the property details, he dismissed the place out of hand. He did not want to live in Heppleburn. The village had been the scene of a disastrous period in his career and he thought he would always be reminded of failure. Then, on a cold Sunday afternoon in January, he went to look at the place just out of interest. It was at the end of a quiet road on the edge of the village. He drove past a small row of miners’ houses with long front gardens dug over, ready for the spring, and then there was open countryside—except for the low, white cottage with the estate agent’s sign outside. It was beginning to drizzle. Beyond the cottage the road dwindled into a farm track and then a public footpath, which led down Hepple Dene to the sea. Ramsay stood by his car in the rain and looked at the cottage. It was old, built before the miners’ houses, before the Industrial Revolution. It was single-storeyed, whitewashed with a grey slate roof, and it was small. The front door was below the level of the road, and it seemed that the house had been built into the hill. From the back there would be views over the dene to the woods and the fields beyond. Now, when the trees were bare, it might be possible to glimpse the sea, slate-grey as the roof, between the hills. Ramsay had never been impulsive. In his relationship with Diana she had been the irresponsible one, laughing at his desire for a conventional security. But now, standing, listening to the dripping trees, the decision was immediate and irreversible. It was late afternoon and very quiet. A red van loaded with turnips drove up the farm track towards the village. The driver stared at Ramsay as if he recognised him. He probably did. Everyone in Heppleburn knew Ramsay. But even that thought failed to deter him from his decision.

  He crossed the road to the cottage and knocked at the door. Eventually it was opened slightly by a small, frail man who peered out nervously. The garden must have seemed almost dark to him. Ramsay could see nothing of the room inside.

  “I want to buy your house,” he said.

  The old man looked around him, as if searching for help. He clearly thought Ramsay was dangerous or deranged.

  “I don’t know,” he said. He had not understood. “My daughter told me I wasn’t to show anyone around when I’m here by myself. We told the agent—appointment only.”

  He would have liked to shut the door in Ramsay’s face but did not quite have the courage.

  “That’s all right,” Ramsay shouted. He had decided the man was deaf. “ I’ll not disturb you now. I’ve seen enough. But I want to buy it. I’ll tell the agent tomorrow.”

  He turned and left the old man gaping, still peering out from the crack of the door.

  Ramsay hired a van and on March 1 he moved his belongings himself. It was not that he needed to save money. He had enough, and since his wife had left there was no-one to spend it on. He had offered, in his old-fashioned, gentlemanly way, to support her, but she had laughed at him. She wanted freedom, she had said extravagantly. Not cash. So he was motivated not by meanness but by a peculiar form of pride. It seemed wrong to him to pay someone to do a task that he could perform perfectly adequately for himself. He also felt distaste at the prospect of a stranger touching his personal belongings, especially those given to him by Diana. So he had tackled the job himself, with the help of a colleague, Gordon Hunter.

  Ramsay realised that his request for help from Gordon Hunter marked a change of attitude. He had never before met Hunter away from work. Even before his marriage he had found the male, beer-drinking evenings in the pub distasteful. Diana, he realised later, would have rather enjoyed them, and perhaps because of that he kept her away. He knew that at work he was thought of as distant, aloof. He married above him, they said, and now he thinks he’s better than us. When he was still living with Diana, he caught whispered suggestions in the canteen that with all her money he ought to retire. When they separated, no-one offered sympathy or understanding. Perhaps they were rather pleased. It took him down a peg or two and showed he was mortal like the rest of them. So when he asked Hunter if he was free on Saturday morning to give him a hand to move some of the bigger items of furniture into the cottage, his colleague was shocked.

  “Why, aye,” he said. “ Of course I’ll help.” Ramsay sensed that things between them would never be quite the same again.

  They worked all morning, carrying the heavy furniture, most of it donated carelessly from the big house in Otterbridge by Diana, into the cottage. At midday Ramsay took Hunter to the Northumberland Arms and bought him several pints of beer and his lunch. The landlady recognised him and smiled but did not ask what he was doing there, so he thought the news of his move must already have reached the village. In the afternoon Gordon Hunter left—he would want to be in Newcastle on Saturday night and it took him time to prepare—so Ramsay was left to inspect the house alone.

  Apart from a cursory glance when he was shown round by the estate agent, he saw the inside of the house for the first time when he moved in, and they were too busy at first for him to look properly. There had been surveys, of course. He was not such a fool that he did not care whether or not the place was falling down. But he had not wanted to inspect it in detail until the cottage was his. He wanted to see it stripped of the sad memorabilia of the old man’s life: the photographs in heavy frames, the hand-embroidered chair backs, the plastic mug for holding false teeth in the bathroom.

  From the front door there were two steps down into the living room. It was the biggest room in the house, the width of the cottage, with windows onto the road and at the back overlooking the dene. It had been a mild February and
in the small back garden there were daffodils in the borders and a forsythia tree in bloom. The crocus were past their best. Inside the room there was a narrow brick fireplace. The windows were low and the sills two feet deep. At opposite ends of the room facing each other were two doors. One led along a narrow passage to two bedrooms and a tiny bathroom, the other to the kitchen, which had been built as an extension. Ramsay carried the last packing case down the steps into the house just as it was getting dark, and almost immediately after, as if he had been watched, the doorbell rang.

  Outside stood a spry, white-haired old man. He was small and immaculately dressed with black shoes that gleamed in the light of the hall. He thrust out a hand towards Ramsay.

  “Hello,” he said, and his accent was as thick as any Ramsay had heard. “I’m your new neighbour. I’m a bit of a friend of Jack Robson, like, and he said you were moving in. Wor lass sent us round to see if there was anything you need.”

  “No,” Ramsay said. “I’m all right. I think. But it was kind of you to call.”

  “I’ll be away then. She’ll have the scran on the table.”

  “No,” Ramsay said, and that, too, was an indication that things were changing, that he had decided it was impossible after all to live in complete isolation. “ Come in. I’ve a drink somewhere. You’ll have one with me to welcome me in.”

  As the old man moved into the house, even Ramsay recognised that things were different. In the three years since Diana had left, no-one had crossed the threshold into the Otterbridge flat he had rented. Here, in a day, he had received two visitors. He went into the kitchen and unwrapped glasses from newspaper and rinsed them under the tap. He poured out whisky and took it to the living room, where the old man was staring out of the window into the dark.

  “What made you buy this place then?” he asked.

  Ramsay considered and followed his gaze to the window. “ That probably,” he said. “ The view.”

  “We’ll have to hope it’ll still be there in five years’ time,” the man said. “I’d not bet on it myself.”

  “Why?” Ramsay asked. “What do you mean?”

  “Do you not know who owns that land?”

  “No,” Ramsay said. “ I’d presumed it belonged to the farm in the lane.”

  “Him!” The old man almost spat his disapproval. “He’s nothing but an asset stripper.”

  “Who did he sell it to?”

  “A man called Henshaw,” the man said. “A builder from up the coast. He specialises in executive developments in rural situations. That’s what his adverts say. I’ve heard them on the local radio.”

  “The council wouldn’t allow building there,” Ramsay said. “It’s green belt. I checked before I bought the house.”

  “It’ll not be up to the council, lad. Not anymore. And I don’t think that bunch in Westminster know what green belt means.”

  They finished their drinks in silence and then the old man left.

  At the time Ramsay considered the conversation as doom-laden scaremongering. The dene was a local beauty spot and it was inconceivable that development would be allowed there. Later he saw it as almost prophetic. It set the tone for his work over the next few weeks, and when he met Henshaw, he felt that his judgement had been corrupted.

  Ramsay woke the next morning to a fresh southeasterly breeze that rattled the bedroom window and swept through the trees beyond the burn on the other side of the dene. He made a pot of real coffee and felt pleased with himself because he found mugs in the first packing case he tried, until it came to him that fresh coffee was a taste he had acquired from Diana. Diana had been on his mind more often this winter because she had sent him a Christmas card. It was the first approach she had made to him since the divorce came through. He saw her occasionally in Otterbridge, striding down the centre of Front Street as if she owned the place. Her confidence still gave him a thrill of admiration and excitement, but he was too proud to let her see him watching. He wondered if the card meant she was already bored with her new husband, but the notion gave him no pleasure. He would like to think she was happy.

  He took his coffee to the living room and sat on the windowsill, watching the clouds blow across the sky from the sea. He felt unusually content.

  The sound of the phone shocked him and he answered it automatically without thinking who might be there. He should have known it would be work. Who else was there to phone him at home?

  “Sorry to disturb you,” the voice said, and he realised he must have sounded as if he had just woken up.

  “That’s all right,” he said. It was Gordon Hunter, excited, breathless, urgent. But as Ramsay listened to the voice of the other policeman, he was still staring out of the window at the racing clouds. When he replaced the receiver, it took him longer than it usually did to prepare to leave.

  Chapter Two

  Further north, along the coast, the east wind pushed hard grey waves into Brinkbonnie Bay, blew strands of dry seaweed around the legs of cattle grazing on the dunes and sand into the road in drifts. It was March 1 but still as cold as winter. The small boats kept on the beach for fishing in the summer were still upturned in the carpark next to the shop that sold ice-creams to day-trippers when the weather was good. In the cottages that were so close to the beach that the washing lines stretched out into the sand hills, people listened to the wind and were glad that the tides were low that week.

  The bay spread for seven miles in an unbroken sweep of beach and dunes, and Brinkbonnie at the southern point was the only village. It was a straggling, ill-defined place. There was the row of cottages along the water’s edge with the post office and the ice-cream shop as part of the terrace and Tom Kerr’s garage. Inland was green, muddy and bare from a winter of children’s games, overlooked by the Castle Hotel, some pleasant grey-stone houses, and the village hall. Then the road continued west towards Otterbridge, and along it were farms and an occasional monstrous surburban villa.

  The Tower was to the north of the village on a rise in the land backed by an old deciduous wood. It was older and more impressive than the church that had been placed beside it. The Tower had been built by a settlement of border reivers who irritated the clansmen of Scotland by stealing their cattle and burning their houses. It stood, facing east, to withstand raiders from the sea. More recently it had been restored, almost rebuilt by an affluent Victorian, and turned into a comfortable house with views over the flat green fields and pools behind the dunes.

  Alice Parry looked out of one of the upstairs Tower windows and briefly hoped that the rain would stay off until the family arrived that evening. Rain, she thought then, was the least of her troubles. She absorbed other people’s problems and cared about them as if they were her own. She thought about Charlie Elliot, who had left the army and was such a worry to his father. She thought about Olive Kerr, who helped with the housework at the Tower and who had seemed so strained and nervous since her separated daughter had come to live with her. It was a compliment, she supposed, that they confided in her, and she wished she had answers for them. Then she thought of the proposed development in the village and her responsibility for it and decided that at least she could do something about that. She fetched her coat and outdoor shoes and then set off for the village, leaving the kitchen door unlocked, as she always did, until last thing at night. She walked quickly, ignoring a twinge of arthritis, which seemed to have got worse since her husband died.

  The main entrance to the Tower was from the Otterbridge Road, but Alice took the footpath through the churchyard that brought her out by the village hall. She looked at her watch as she came out into the street and saw that it was already two o’clock but thought that it would not matter. Village meetings never started on time.

  She was surprised by the number of cars parked in the street. She knew the controversy of the new houses had stirred up feelings in Brinkbonnie, but she had not expected people from the outlying farms to be so concerned. As she walked up the road she saw a few other latecom
ers enter the hall, but when she reached it the door was shut again. She stood outside for a moment to catch her breath and looked in through the smeared glass pane in the door. The hall was packed with people sitting on uncomfortable wooden chairs. Behind a table on the stage sat Fred Elliot, postmaster and chairman of the parish council.

  As she watched he stood up and began to speak. Even from outside she could sense his nervousness. He was used to meetings but would never have spoken in front of so many people before. Mrs. Parry felt awkward now about pushing open the door into the hall in case the interruption should put him off his stride. Before she could decide whether to go in and listen or go away, the door was suddenly opened from inside and she stumbled into the room. There was the sudden smell of damp, the gas fires they used to try to dry the place, and mice.

  “What’s this then?” said the big man who had opened the door. It was Charlie Elliot, the mechanic from Tom Kerr’s garage, Fred Elliot’s son. “ It’s a spy from the opposition.”

  There was a little embarrassed laughter and, encouraged, he went on.

  “Come to gloat, have you, Mrs. Parry? Come to see how much money you’re going to make?”

  He looked round for admiration, like a child showing off.

  Everyone in the hall was staring at her. She felt hot and angry.

  “No,” she said. “Not at all. I wanted to explain. I’m on your side.”

  But he would not listen.

  “A development in the heart of the village, home for a couple of dozen yuppies. I suppose you think that’s just fine.”

  “You don’t understand,” she said. “I’m on your side.”

  He seemed to hear her for the first time.

  “How’s that then, Mrs. Parry?” he said, still playing to the audience. “ You’re the one that sold the field behind the Tower to Henshaw. He couldn’t build all those fancy houses on it without you.”

  “Away man, Charlie!” Fred Elliot called from the stage. “ This is no way to run a meeting. Give Mrs. Parry a chance.”